VFX Compositor | On-set Visual Effects Supervisor
Known for: Khatoon, Tasian, World War III, Bi-Gonah, Turkish Coffee, At the End of the Night…
Omid Dabirsiaghi is an Iranian visual effects artist and compositor with a deep focus on cinematic storytelling through digital techniques. With a background in architecture from Soore University, he transitioned into the world of VFX, bringing a sharp eye for structure, light, and detail into the frame. Since 2022, Omid has been working professionally as a VFX compositor at Ifa Studio, contributing to numerous high-profile Iranian films, TV series, and music videos. His core expertise lies in real-time on-set visual effects supervision and high-end compositing using software like Nuke, After Effects, PFTrack, Blender, Photoshop, and Houdini. Omid thrives in complex sequences involving explosions, stylized effects, and genre-specific aesthetics—especially within sci-fi, fantasy, and crime dramas. His collaborative approach across rotoscopy, 3D modeling, and camera tracking departments makes him a vital force in every production he’s involved in.
Some of his recent credits include: Play to Kill (2024), Khatoon (2021), Bi-Gonah (2022), Piccolo (2023), Let Me Go (2023), Turkish Coffee (2023), World War III (2023), Zoodpaz (2023), 6AM (2023), Alireza Ghorbani – Dar Zolf-e To Avizam (Music Video, 2023), Tehran Viper (2024), At the End of the Night (2024), Tasian (2024), Call Me Beautiful (2024)
He continues to collaborate on unannounced projects across the Iranian visual effects landscape.